Going up? Sopris Theatre’s ‘Hope and Gravity’ looks at life in an elevator
‘Hope and Gravity’ at Spring Valley
7 p.m. Friday, Oct. 18, and Saturday, Oct. 19
2 p.m. Sunday, Oct. 20
7 p.m. Friday, Oct. 25, and Saturday, Oct. 26
2 p.m. Sunday, Oct. 27
$13 seniors and CMC students, employees and graduates
Individual and season tickets are available at Eventbrite.com
A dislodged elevator falling multiple stories turns out to be a ripe setting for studying human relationships.
That’s what playwright Michael Hollinger discovered when he wrote “Hope and Gravity,” the comedic drama that opens Sopris Theatre Company’s season on Oct. 18 at Colorado Mountain College-Spring Valley, Glenwood Springs.
According to a press release, it’s rare for a theater company to produce a play that it has closely followed since its inception. However, that’s what happened with “Hope and Gravity.”
In 2012, Hollinger came to Aspen with his new play, which was performed as a staged reading during the Aspen Fringe Festival.
“I spoke with Michael at that point about my interest in the show,” director Brad Moore, Sopris Theatre Company’s theater operations manager, said in the release. “We stayed in contact and he let me know when the piece would actually be published. Gary [Ketzenbarger, Sopris Theatre Company’s program director] read the script and thought it would play well in this season.”
For Sopris Theatre Company, being one of the first companies to produce the play is gratifying.
“The play was just published,” Moore said. “It has had many workshop productions and readings in development but is now in its final form. It’s exciting to present newer works. Michael is a terrific playwright and an important voice in the American theater.”
Students and community members
The cast of “Hope and Gravity,” comprises both Colorado Mountain College students and Roaring Fork Valley actors.
Five cast members play nine roles, doubling up per the playwright’s instructions as they weave in and out of one another’s lives. Three of the cast members are CMC students and two are community members, one of whom is a CMC graduate. All of the stage crew are CMC students.
“The setting is in a contemporary urban environment,” Moore said in the release. “We felt this script offered a diverse and wonderful collection of characters for our students and community members to explore.”
Moore said the play is composed of nine scenes, which originally were a series of short plays. As a play, they’re tied together.
“The additional challenge is that the scenes are out of order,” he said. “The show opens with scene six and closes with scene three. That is very much in keeping with the themes in the play. The idea that there is a random nature to how our lives play out. We can make plans and set goals. Sometimes life doesn’t follow a predictable path.”
First in the season
“Hope and Gravity” opens Sopris Theatre Company at Colorado Mountain College’s 2019-20 season; three more productions will follow. “The Veil,” written by Conor McPherson and directed by G. Thomas Cochran, runs Nov. 30-Dec. 8. “American La Ronde,” written by Steven Dietz and directed by Gary Ketzenbarger, runs Feb. 14-23, and “Kiss Me, Kate,” with book by Sam and Bella Spewack, music by Cole Porter and directed by Brad Moore, runs April 3-19. Tickets are available at Eventbrite.com and more information is at coloradmtn.edu /theatre.
Support Local Journalism
Support Local Journalism
Readers around Glenwood Springs and Garfield County make the Post Independent’s work possible. Your financial contribution supports our efforts to deliver quality, locally relevant journalism.
Now more than ever, your support is critical to help us keep our community informed about the evolving coronavirus pandemic and the impact it is having locally. Every contribution, however large or small, will make a difference.
Each donation will be used exclusively for the development and creation of increased news coverage.
Start a dialogue, stay on topic and be civil.
If you don't follow the rules, your comment may be deleted.
User Legend: Moderator Trusted User
Christina Cappelli described playwright Steven Dietz’s “The Nina Variations” as providing a couple with a reset button, the ability to repeat conversations and say something differently and see where things will end up this time.