Comic Rob Schneider returns to Aspen for two nights at Belly Up
Rob Schneider broke into show business as a stand-up comedian but gave it up for more than 20 years after “Saturday Night Live” made him a star and got him a foothold in television and film.
Now he’s back onstage, courting controversy in a rhetorical bomb-throwing act that rails against political correctness, what he calls “Democratic liberal McCarthyism” and aims to make uptight audiences laugh at themselves.
Schneider, 55, made his Aspn debut last February and returns for a two-night run at Belly Up on Tuesday and Wednesday.
“When I started doing stand-up again, I thought, ‘What the hell am I going to talk about?’” he sald last winter during his first swing through Aspen. “And here it is. It’s like the 1950s all over again in the sensibility in the audience, the attacks on thought and ideas.”
Yes, Rob Schneider, best known for playing “Deuce Bigalow: Male Gigolo” and the “You can do it!” guy from “The Waterboy” and the “Makin’ copies!” guy from “Saturday Night Live,” is a fierce free-speech advocate and cultural critic with a keen eye for the absurd and hypocritical.
His public stances have led to some friction, including an odd Twitter feud with Seth Rogen. But the heated political landscape of the Trump era and what Schneider calls “the war on language” is fertile ground for comedy.
“It’s a weird time socially, culturally, politically and linguistically,” he said. “It’s a freaky, weird time.”
He plays with audiences’ expectations around political correctness, getting laughs by warning crowds that they may be taped laughing at the wrong thing. He has a joke about Syrians pining for the Obama era when they were “being bombed by a tolerant and well-spoken president.” Schneider reserves much of his venom these days for liberals, but he’s an equal opportunity offender across America’s red state-blue state divide.
“I’m a Chomsky-ite,” he said. “Anyone who attacks me as a conservative doesn’t know me. … I always s-t on the people complaining the most.”
At a time when everyone else is bashing Donald Trump, Schneider is more interested in finding laughs by going after Trump’s critics and what he sees as a dangerously oversensitive political left.
“The Republicans admit what they are — selfish, self-centered, narcissistic, out for themselves,” he said. “They’re not interested in ruining language, whereas you have the crybaby liberals who are just ruining the language and the culture, and it’s all in the guise of openness and tolerance.”
Unsurprisingly, Schneider is disappointed in the partisan turn that “Saturday Night Live” has taken since Trump’s election.
“They’ve lost their center,” he said. “The whole point of political comedy is to keep the audience guessing where you are, where your loyalties lie. My loyalties lie in the joke. My loyalties lie in showing the absurdity.”
“Saturday Night Live,” he argued, has usually had similar loyalties. He pointed, as an example, to brilliant sketches during the 2008 Democratic primary that lampooned the media’s pro-Barack Obama leanings and harsh treatment of Hillary Clinton. But he’s uninspired by the way the show has piled on President Trump.
“In my mind, there’s zero courage in attacking Trump,” he said. “Anybody could do it. … He makes it too easy.”
And Alec Baldwin’s burlesque Trump impression, Schneider believes, is undercut by Baldwin’s activism off camera.
“How Alec Baldwin tweets about how much he hates Trump, it hurts the bit,” he said. “The laughs are not rewarding when you’re preaching to the choir. If I can make liberals laugh at themselves, that’s really rewarding.”
Schneider said his old friend and “Saturday Night Live” cast mate Chris Rock convinced him to go back to stand-up.
“He said, ‘If you do this you could be the best at it,’” Schneider recalled. “And that’s what excited me. But to be the best at it, you can’t just go out once a month.”
So he’s been touring a ton in recent years, beginning in small, out-of-the-way clubs where he tried to get his chops back, and building steadily to more high profile gigs like his recent world tour with Adam Sandler.
“I felt terrible for the audiences in the beginning,” Schneider said, recalling his slow and clumsy start in Kentucky and Florida, where he did his first stand-up sets in decades. “It’s taken me eight years to get where I am now, where I feel like I am one of the best comics in the country.”
Support Local Journalism
Support Local Journalism
Readers around Glenwood Springs and Garfield County make the Post Independent’s work possible. Your financial contribution supports our efforts to deliver quality, locally relevant journalism.
Now more than ever, your support is critical to help us keep our community informed about the evolving coronavirus pandemic and the impact it is having locally. Every contribution, however large or small, will make a difference.
Each donation will be used exclusively for the development and creation of increased news coverage.
Start a dialogue, stay on topic and be civil.
If you don't follow the rules, your comment may be deleted.
User Legend: Moderator Trusted User
Christina Cappelli described playwright Steven Dietz’s “The Nina Variations” as providing a couple with a reset button, the ability to repeat conversations and say something differently and see where things will end up this time.